Monday

Ikebana: Japanese Art of Flower Arrangement



Michigan Oriental Art Society
Sunday, November 10, 2013
St John Hospital-Oakland Education Center, 27351 Dequindre Rd, Madison Heights (between 11 Mile and 12 Mile Rds)
Social Time at 1:30 pm, Meeting at 2:00 pm.

IKEBANA
Demonstration by members of Ikebana International, Detroit Chapter




Ikebana is the Japanese art of flower arrangement. One of the traditional arts of Japan, it has been practiced for more than 600 years. It developed from the Buddhist ritual of offering flowers to the spirits of the dead. The first teachers and students were priests and members of the nobility. As time passed, ikebana came to be practiced at all levels of Japanese society. It is more than simply putting flowers in a container. It is a disciplined art form steeped in the philosophy of developing a closeness with nature.

Ikebana International is a worldwide nonprofit cultural organization founded in Tokyo, Japan in 1956 and today boasts over 8,000 members in more than 50 countries. Its members are dedicated to promoting mutual understanding and friendship between Japan and other countries through ikebana and other related arts of Japan. The Detroit Chapter was chartered in 1965. Meetings are held monthly, March through December, with ikebana workshops and an annual public cultural program in May. The Chapter’s web site is www.ikebanadetroit.org.

Tuesday

Alan Marschke Oriental Rug Gallery



Michigan Oriental Art Society
Sunday, October 13, 2013
Alan Marschke Oriental Rug Gallery, 92 Kercheval, Grosse Pointe Farms, MI 48236
Social Time at 1:30 pm, Meeting at 2:00 pm.

A Visit to the Alan Marschke Oriental Rug Gallery

The term ‘oriental rug’ usually refers to traditional hand-knotted carpets originating in the eastern Mediterranean and Middle East region. Carpets have been primary furnishings for settled and nomadic peoples in this area since early history, and the traditions of crafting of carpets for religious, decorative and utilitarian purposes were passed down through centuries. The Industrial Revolution revolutionized the ancient craft of carpet weaving. It drove a wedge between the artist and the material of her art. As recently as twenty years ago, conventional wisdom held that the great traditions of carpet weaving, bound as they were, for example, to the art of natural dyeing, were extinct, replaced in the early 20th century by a rush toward making "hand knotted" carpets in factory-like conditions, with the highest priority placed on uniformity of color, design, and dimension in accordance with a program rather than an artistic vision. Indeed, it is primarily through an understanding of materials, across a broad spectrum of skills, from handling of raw wool to the dyeing of yarn, to the active role of the weaver in interpreting design, that we discover this most cooperative of arts, the weaving of a whole carpet.

Today, less than a dozen small projects are encouraging villagers in remote rug-weaving areas to revive the long-forgotten craft. The projects are small, to be sure, sometimes yielding as few as a thousand one-of-a-kind area rugs. But the monies help some villagers build medical centers and schools. Reviving a lost art is not a simple matter, however. Before the art could take form, villagers had to learn crop production, first determining which crops would yield the most exquisite dyes. A special breed of sheep had to be raised to produce the wool for the yarn. Looms had to be fashioned, and all the while, villagers sought to revive Old World methods for spinning, dyeing and weaving. Then patterns were born - both ancient and new - to please today's buyers.

Alan Marschke, gallery owner and our speaker, knows textile history and how important this renaissance is. His 35-year passion for rugs has taken him to Washington, D.C., where he spent 20 years researching, attending classes, conferences and meetings at the Washington Textile Museum with the Washington Textile Group and the International Hajji Baba Society. Moreover, he is highly respected in his field - one of only five people in Michigan nationally certified as an Oriental rug appraiser by the Oriental Rug Retailers of America.



Driving directions
From northern suburbs – I-696 East to I-94 West (toward Detroit). Exit at Moross (next exit after Eastwood-Allard). Turn left onto Moross and drive approx. 3 miles to Kercheval Avenue. Turn right on Kercheval and drive 1 mile to the Hill shopping district. The Alan Marschke Gallery will be on the left side  (92 Kercheval). There are parking lots behind the buildings on the right as well as at the end of the shopping block.

From midtown Detroit – Take I-94 East and exit at Moross (next exit after Cadieux). Turn right at Moross and follow directions as above.

From downtown Detroit – Take Jefferson Avenue east to Fisher Road (approx 9 miles from downtown). Turn left on Fisher Road and proceed to Kercheval Ave (2nd traffic light). Turn right on Kercheval . The Gallery will be on the right in the second block (92 Kercheval).